Hello,

• Wrist re­la­xati­on, polythyrms
  • C ma­jor 3:2 and 4:3, Right to left hand
  • Try Brahms Etu­de in D ma­jor, or Cho­pin Etu­de no 1 from 3 noveletes 
    • To­ge­ther,
    • Left=>Right,
    • Left,
    • Right=>Left

Hi,

• Wrist re­lax 🙂
  • Octa­ve etc.
• Im­pro­vi­sati­on
  • Ba­sic framework 
    1. To­nic
    2. So­me­thing
    3. So­me­thing else
    4. Do­mi­nant 
  • Few exam­ples
    • At­tempt 1 
      1. D (To­nic I)
      2. Bm (Su­per­me­di­ant vi)
      3. G (Sub­do­mi­nant IV)
      4. A (Do­mi­nant V)
    • At­temp 2 
      • D (To­nic I)
      • #Fm (Me­di­ant iii)
      • G (Sub­do­mi­nant IV) 
        • If you use not G ma­jor, but #G0 (G sharp di­mi­nished), you­’re now in Ly­di­an sca­le. Ly­di­an has 4^th de­gree augmented.
      • A (Do­mi­nant V)
    • At­tempt 3 
      • Dm (To­nic i)
      • Gm (Sub­do­mi­nant iV)
      • C (L. VII)
      • A (Do­mi­nant V – har­mo­nic D minor) 
        • Dm, Gm, C, Am =>Bb, Gm, C, A

Next week at the sa­me time 😉 

Hello,

• Wrist & fin­gers relaxation
  • Octa­ves, fifths…
  • Thumb re­la­xati­on
    • An­chor thumb on so­me no­te and skip wi­th se­cond and thi­rg fin­ger around it. It is about wrist mo­ve­ment, not fin­gers, but af­ter a whi­le, your thumb should fe­el mo­re re­la­xed 🙂 It’s not about tur­ning, just sli­gh mo­ve­ment of the who­le arm.
  • Slow it down (eve­ry­thing) 😉 It’s not ne­cessa­ry to play it fast but correctly 🙂
• Di­ve­ni­re
  • Just tem­po.
  • Left hand mo­re genlty. 
  • Right hand mi­ght help wi­th to­nes in the left hand on the thi­rd page – or use the thumb re­la­xati­on techiu­que we pla­yed up there. 
• Dvo­řák
  • 2h ver­si­on
    • Try to add a pe­dal, but it sounds well 😉 

Hello

• Wrist re­la­xati­on
• Si­be­lius
• Dvo­řák
  • 2h ver­si­on
    • It’s a bit hard, but if you play it slowly, it is ve­ry fine.
    • Try to do ac­cents (they­’re im­por­tant here)
  • 4h ver­si­on
    • Ni­ce 😉

Hello,

• Wrist re­la­xati­on
  • Octa­ves, chro­ma­tic sca­le wi­th ac­cents. Try to lo­ok at and con­t­rol your thumb, pin­kie would do his job automatically 🙂
  • Mo­ve away your „mi­d­dle fin­gers“ when pla­y­ing octa­ves, they should be a bit off to the si­de, be­cause then they did­n’t ma­ke a con­tact wi­th a wood 😀
• Cho­pin – Funeral
  • Do­t­ted rhy­thm wi­th ei­ghts and sixteenths 😉
  • Chords on the se­cond (and thi­rd) li­ne are all to­ge­ther (first bars of the row)
  • Pe­dal work – use the right, not middle 😀 
  • Chords the­o­ry (ba­sics)
    • Li­te­ra­tu­re – Ja­ro­slav Kofroň, Učeb­ni­ce har­mo­nie (ma­y­be the­re exists so­me translati­on, I don’t know)
    • Rick Be­a­to: https://​www​.you​tu​be​.com/​w​a​t​c​h​?​v​=​T​5​S​m​c​H​1​1​kUk
    • Chords the­o­ry: https://​www​.you​tu​be​.com/​w​a​t​c​h​?​v​=​7​O​m​q​e​i​h​O​XD4

Next ti­me at 12 😉